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As the bean counters toil, Eustace waits. So does Jill. And Polly and Digory, too. Walden Media has optioned all seven of C.S. Lewis' Chronicles of Narnia books, but whether the other six (or, more likely, five - since The Horse and His Boy seem...

When it comes to Citizen Kane, one question eclipses all others: Is it the best film ever made? For years, I have avoided writing a review of this movie, intimidated perhaps by its immense reputation. Having missed the 1991 fiftieth anni...

We know from experience that Adam Sandler has a fondness for Frank Capra. After all, is there anything odder than watching Sandler channel Gary Cooper in a remake of Mr. Deeds (Goes to Town)? Actually, there is. It's watching Sandler channel Jim...

Cowboys & Aliens is a mashup of a mediocre Western and a mediocre science fiction story. The resulting film is far better than the sum of its two seemingly disparate parts. Although a little overlong, the production will find favor not only with l...

Criminal is an English-language remake of the little-known (at least in these parts) Nine Queens, a 2000 film from Fabian Bielinsky. First-time director Gregory Jacobs and his co-writer, "Sam Lowry" (actually a pseudonym for Steven Soderbergh), ha...

Pity poor Eliza (Hope Davis). On the surface, her family seems normal. She lives with her husband, Luis (Stanley Tucci), in a nice, Long Island home only a short distance from her parents' house. Under that roof are her mom, Rita (Anne Meara), ...

Wedding the phrase "Jerry Bruckheimer production" with the words "intelligent screenplay" might seem to be an unimaginable mismatch, but it has happened. Déjà Vu, the new thriller from Bruckheimer and director Tony Scott, impresses with both the...

The Dig is the kind of low-key period piece that the Brits do so well. Based on actual events that occurred in pre-WW2 Suffolk, the movie explores the efforts of excavator Basil Brown (Ralph Fiennes) to uncover a sixth-century burial site. Of ...

When it comes to the pantheon of the Worst Movies Ever Made, there are only a few challengers to the title claimed by Plan Nine from Outer Space. One of those is Tommy Wiseau’s universally derided 2003 debut feature, The Room. Instead of fad...