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In many ways, The Karate Kid is the perfect remake: faithful to the source material in large part yet offering enough nuanced differences to allow it to stand on its own. The problem with the film is that that story, hackneyed when it first made i...

Spoilers abound! Beware if you care.It’s rare to find a film as discombobulated as Kin, a would-be franchise-starter that begins as a dysfunctional family drama, changes into a road movie, and concludes as a science fiction-tinged siege film...

The most important name associated with this new telling of the tale of King Arthur is “Guy Ritchie.” More than most working directors, Ritchie comes to projects with his own specific take on them – one that inevitably rubs some viewers ...

Common wisdom contends that Dino De Laurentiis' big-budget remake of Merian C. Cooper's classic 1933 film, King Kong, is a bad movie. And, viewed from a certain perspective, perhaps it is, but it's also a lot of fun. Certainly, this versi...

Spoiler Alert: This review assumes that the reader is familiar with the story of King Kong, including the ending. If you're not, and don't want to be spoiled, it's best to stop reading after the fourth paragraph and return once you have seen the ...

2014’s Kingsman: The Secret Service achieved a surprising level of success not because it offered anything groundbreaking but because its anarchic energy and deadpan wit made familiar story elements seem fresh. For the sequel, The Golden Circ...

Kingsman: The Secret Service is to the '60s British spy movie genre what Kick-Ass is to today's motion picture superhero movement. Part homage, part cartoonish spoof, and part high-energy actioner, Kingsman feels right at home with the likes ...

Kiss of the Spider Woman is a fascinating character study - an exploration into how a bond of kinship can develop between two very different men, each of whose present circumstances is erected on a foundation of secrets. The film, based on the nov...

Sexual taboos come in all shapes and forms -- bestiality, pedophilia, incest -- but none creates a more vivid image than that of necrophilia. So, when I say that Kissed is the character study of a necrophiliac, recognize that this film is intended...

In a graphic example of how creatively bankrupt Hollywood has become, it's no longer good enough merely to remake older films - now the studios have begun to remake remakes. 1972's The Last House on the Left, the first feature effort of Wes Craven...