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If the score of Immortal Beloved is remarkable, that of The Madness of King George is no less so. With the clear strains of Handel's "Water Music" and "Zadok the Priest" in the background, The Madness of King George ascends to a level that it migh...

Call it the law of diminishing results. Akira Kurosawa’s 1956 classic The Seven Samurai (the first time this story was made into a movie) is a great film - a contender for one of the best 100 motion pictures of all time. (It’s at #32 on m...

For a small percentage of people, grief can be a catalyst. For most of us, however, it’s a paralyzing force that threatens to entomb us in a coffin of sorrow and despair. Most movies, in attempting to depict this, fall into an abyss of melodram...

In the pantheon of YA ("Young Adult") dystopian book-turned-movie series, if The Hunger Games occupies the pinnacle then The Maze Runner sits in the basement. After an encouraging and engaging first half of the first film, The Maze Runner h...

In his famous 1944 speech to the Third Army, General George S. Patton said the following: “The Nazis are the enemy. Wade into them. Spill their blood. Shoot them in the belly.” I don’t know whether director Guy Ritchie thought of those w...

On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arriv...

The Monkey is in possession of a great trailer that the actual film doesn’t quite live up to. Nevertheless, Osgood Perkins’ radical reimagining of the Stephen King short story is plenty entertaining in its own right for those with a sufficient...

At first glance, My Week with Marilyn might seem like a salacious behind-the-scenes look at a mostly forgotten (yet high profile at the time) movie that had its share of off-camera drama. However, a closer examination of the film reveals an incompl...

The Next Three Days, Paul Haggis' adaptation of the 2008 French film, Anything for Her, uses an interesting concept as a cornerstone of the foundation. Instead of employing a seasoned professional as the lead character of this heist thriller, the ...

The best thing that can be said about the second Night at the Museum (which bears the unnecessarily long full title of Night at the Museum: Battle of the Smithsonian) is that it's harmless. And pointless. And dumb. This is a perfect example of a ...