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The tale of Lock, Stock, and Two Smoking Barrels is the most improbable of success stories. After having difficulty securing a financial backer, Guy Ritchie's debut feature became one of the biggest home-grown successes in the U.K. last year. Now...

We have entered the world of post-modern superheroes, where the concept of someone with special powers doing battle against the forces of evil seems quaint, almost boring. Batman is The Dark Knight. Superman is on hiatus because the most interest...

If David Lynch and David Mamet can do it, why not Danny Boyle? I'm talking about hard-R directors suddenly producing a film that is suitable for family viewing. Lynch and Mamet both went G several years ago (Lynch with The Straight Story and Mamet wi...

As his career develops, it may turn out that British maverick filmmaker Guy Ritchie has only the taste and talent to make one kind of film - but, if every salvo he fires is as snappy, funny, and energized as his initial two movies (Lock, Stock and ...

With The Suicide Squad, James Gunn becomes the second high-profile Marvel director to moonlight in the DCEU. Fortunately, Gunn’s effort is significantly better than Joss Whedon’s career-killing turn with Justice League. Gunn, temporarily fi...

The end of the world has always simultaneously fascinated and repulsed human beings. No less an authority than the Bible devotes entire books to the last days. And, since almost the beginning of science fiction, the apocalypse has been a popular ...

Marvel’s post-Thanos struggles continue, this time in a movie that features two of the Mad Titan’s daughters. Although the malaise that has afflicted many of the recent MCU releases – from the unheralded Eternals to the much-hyped Doctor Str...

Hollywood has a long albeit checkered history of mismatched buddy cop films. I don't know when the trend started, but it was elevated in popularity by the partnership of Eddie Murphy and Nick Nolte in 48 Hours. 23 years later, director Les Mayfie...

In a graphic example of how creatively bankrupt Hollywood has become, it's no longer good enough merely to remake older films - now the studios have begun to remake remakes. 1972's The Last House on the Left, the first feature effort of Wes Craven...

Another week, another disappointing summer sequel. So it goes… In actuality, the screenplay for 28 Weeks Later isn't all that bad. Sure, it's repetitious and much of it has been regurgitated from 2003's 28 Days Later, but it contains some in...