Search for King

For whatever reason, the character of Mr. Bean has never caught on in the United States. Rowan Atkinson's most popular creation has a small following in this country, but labeling him as an "acquired taste" would be an accurate descriptor. Unfort...

Mrs. Brown is a love story much in the same vein as Carrington in that it deals with platonic affection that runs deeper and truer than that of the motion picture staple romantic variety. These days, it seems that whenever we see a male/female...

Mrs. Harris Goes to Paris matches the tone and aesthetic of one of those feel-good, highbrow art house films that were popular during the 1990s and 2000s. (It’s not quite on the same level as Enchanted April but is better than The Best Exotic Mar...

For all those who think movies don't have enough naked female flesh, welcome to Mrs. Henderson Presents. It would have been interesting to witness the MPAA's deliberations about this film. There's some violence, but not much. There's no sex or sex-...

Much Ado about Nothing is Kenneth Branagh's adaptation of one of Shakespeare's better-known comedies. Centered around two romances - Hero (Kate Beckinsale) and Claudio (Robert Sean Leonard), and Benedick (Kenneth Branagh) and Beatrice (Emma Thomps...

Mufasa, a prequel to both 1994’s original and 2019’s remake of The Lion King, is an example of commercialism at its most obvious. Although there are praiseworthy elements to Barry Jenkins’ venture into the series and children will almost cert...

What do Alistair Sim, Albert Finney, George C. Scott, Jim Carrey, Patrick Stewart, Bill Murray, and Michael Caine (among others) have in common? They have played the part of Ebenezer Scrooge in an adaptation of Charles Dickens’ A Christmas C...

My Life So Far is a pleasantly nostalgic look at a few transformative months in the life of a 10-year old Scottish boy. Brought to the screen by director Hugh Hudson and producer David Puttnam (who collaborated on Chariots of Fire), My Life So Far...

Movie-goers attend Ken Loach movies for a variety of reasons, but one of them is not to have a "feel good" experience. The reason? Loach consistently looks at believable characters in realistic situations. His pictures are not escapist; they're ...