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Serene. Beautiful. Untouchable. All of those words can be used to describe the subject of Leonardo Da Vinci's best-known painting, "The Mona Lisa." And, while almost everyone knows what she looks like, no one knows her story. Her life is a bla...

The Monkey is in possession of a great trailer that the actual film doesn’t quite live up to. Nevertheless, Osgood Perkins’ radical reimagining of the Stephen King short story is plenty entertaining in its own right for those with a sufficient...

Who said science fiction films have to be expensive? According to multiple sources, the total production cost for Gareth Edwards' feature debut, Monsters, was south of $20,000. That's a remarkable achievement for a movie whose subject matter invo...

One of the questions I am frequently asked by e-mail is "What is your favorite comedy?" In a horse race that's almost too close to call, I have decided upon A Fish Called Wanda, followed closely by The Life of Brian, then Monty Python and the Holy...

Each of the three "official" Monty Python movies has its own distinguishing quality. The first, 1975's Monty Python and The Holy Grail, is arguably the funniest and (in some ways) the silliest. The last, 1983's The Meaning of Life, is the most un...

Moon illustrates a truism forgotten by Hollywood: the best science fiction films are about something. This film does not feature explosions. It does not contain endless, mind-numbing chase sequences. Instead, it's a simple idea-rich storyline th...

Moonraker is a sort of James Bond meets Star Wars. Released in 1979, the year that saw the arrival of Star Trek on the big screen, Moonraker was the latest film to latch onto the science fiction revival started by George Lucas' 1977 picture. ...

Few working directors are as consistently, dependably quirky as Wes Anderson, whose films tend to excite art house audiences while being ignored and bypassed by mainstream movie-goers. His latest, Moonrise Kingdom, represents one of his best, in la...

Mortal Kombat was made with fans in mind and, as such, it has little time or patience with those who come to it without the prerequisite background. 40% fight scenes and 60% fan service, Simon McQuiod’s slash-and-gore fest will leave the uni...

Something went wrong (or got lost) in the translation of Graham Swift’s novella to the movie adaptation, directed by Eva Husson from a screenplay by Alice Birch. There’s no debating that the finished product looks gorgeous, with all credit due...