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Love Me is a testament to the ability of a marketing team to assemble an intriguing trailer out of 90 minutes of pretentious poppycock. Watching the trailer, one might expect the movie to offer an adult version of the story told in the family film...

Mortal Kombat was made with fans in mind and, as such, it has little time or patience with those who come to it without the prerequisite background. 40% fight scenes and 60% fan service, Simon McQuiod’s slash-and-gore fest will leave the uni...

The November Man feels like just about every B-grade spy thriller that has ever been committed to the silver screen. With a slipshod narrative that could be mistaken for diluted Ludlum, Deighton, or Le Carre, The November Man provides us with an op...

The cream always rises to the top, and such is the indisputable case with Anthony Hopkins' deeply moving portrayal of the stilted butler of Darlington Hall in the newest offering from Merchant Ivory. Reuniting Howards End co-stars Hopkins and Emma...

State and Main offers prolific playwright/filmmaker David Mamet his latest chance to re-invent himself. Mamet, who is perhaps best known for his twisty thrillers (House of Games, The Spanish Prisoner) and tense psychological dramas (Glengarry Glen...

Does the fact that Tag is loosely based on a real story make it more enjoyable? Not really, although it illustrates the absurdity of some human endeavors. It’s a red herring designed to distract from an underlying truth about this movie: it ...

The original Taken, released in the United States in early 2009, was never intended to be anything more than a January throw-away. $145 million later, Fox had a different opinion of the French-made film, whose U.S. opening occurred months after it ...

In the realm of body horror, few names loom larger than the venerable David Cronenberg. Together, a collaboration between writer/director Michael Shanks (in his feature debut) and real-life spouses Alison Brie and Dave Franco, would likely find fa...