ReelViews for PG-13 movies

To this day, there remains uncertainty as to the value of the intelligence information provided by Oleg Penkovsky (Merab Ninidze) during the height of the Cuban Missile Crisis. Was he, as the official narrative asserts, the highest-ranking Sov...

Cowboys & Aliens is a mashup of a mediocre Western and a mediocre science fiction story. The resulting film is far better than the sum of its two seemingly disparate parts. Although a little overlong, the production will find favor not only with l...

Uh-oh, this doesn't look promising. Oh, wait a minute, the movie hasn't even started yet. As absurd as it might sound, there's a strange synergy between very bad movies and very good ones. That's because films on either extreme of the quality ...

On the surface, Crazy Rich Asians and Sex and the City couldn’t be more different but, if you dig deep enough into their respective DNA’s, there’s a common thread: the love of conspicuous consumption. Heard the term “First World probl...

Crazy, Stupid, Love. tries to rise above the unremarkable level of the generic romantic comedy. In almost every way, from structure to tone to the nature of the love stories, it strives to be more. And, while all its gambits are not successful, the...

Maybe it's just wishful thinking, but I believe Hollywood has a tendency to underestimate the teenage viewing crowd. While it's certainly true that a portion of that demographic goes to theaters only for the most superficial form of entertainment,...

When a movie invites comparisons to the work of James Cameron and Christopher Nolan, it’s apparent that the director (in this case, Gareth Edwards) has done something very right. The Creator may rely on numerous common science fiction concepts b...

As movie-goers, we have become accustomed to seeing our screen heroes as immutable and immortal. This is in part the result of how film can freeze a moment. Humphrey Bogart will always look the way he does when saying “Here’s looking at y...

Creed II, the follow-up to 2015’s surprisingly successful Creed, runs afoul of a common problem to plague unplanned sequels: the need to match audience expectations trumps all other concerns, including creative latitude. The eighth installment...

Creed III is the first Rocky movie without Rocky. Considering the imbalance created by the Stallone/Jordan dynamic in Creed II, the decision to excise the Italian Stallion from the narrative framework makes sense. The Creed movies need to move forw...