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By any standards, Silk is a bad movie: pretentious, stillborn, devoid of emotion. It’s a perfect example of how awful direction and performances can ruin an adequate screenplay. Granted, what’s on paper isn’t perfect and it contains a number...

Somewhere in Simon Birch, buried not too deeply beneath the surface, lie the seeds of a moving story. Unfortunately, as told by Mark Steven Johnson, this loose adaptation of John Irving's "A Prayer for Owen Meany" is a relentlessly manipulativ...

Beware things that are described as "simple." While this is not the central message of A Simple Plan, it's certainly a byproduct. From the real world, we all know that things which are supposed to be simple - a basic plumbing job, minor car repai...

Sing, the final major animated film of 2016, can be described using six words: great soundtrack, generic story and artwork. After enjoying Disney/Pixar’s strong animated slate this year (Zootopia, Finding Dory, Moana) with Focus’ Kubo and...

Back in 2016-17, the animated pop song cover-a-thon called Sing cashed in to the tune of $270M domestic/$634M worldwide. (Cue the “cha-ching” cash register sound.) A follow-up was a preordained ne...

Sinister 2 falls in line with a majority of the horror films being produced today (especially those with numbers next to the titles): uninspired regurgitations that exist solely to make a few quick bucks from a ravenous (and often undiscriminating) a...

The scenery is great, the actors are appealing, and the special effects are suitably low-key… all that's missing from Ivan Reitman's Six Days, Seven Nights is a plot with a moment's originality. This movie takes chunks from Romancing the Sto...

With a film like Sixteen Candles, I find myself wishing I could create my own cut. Some of the material works marvelously well, but the stuff that doesn't takes the movie down with it. For teen films in the '80s, this was a watershed picture - an...

With his third feature effort, writer/director M. Night Shyamalan has taken a huge step in the wrong direction. After showing great strides of maturity between his ineffective debut, Praying with Anger, and 1998's appealing Wide Awake, Shyamalan h...

The Skeleton Key is the latest of the new breed of PG-13 "horror" movies that emphasize atmosphere and "boo" moments over gore. This film, which is not a re-make of a Japanese production (as many of these pictures are), maintains an internal logic...