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On the one hand, it’s possible to express deep admiration for the world-building and storytelling of Alita: Battle Angel and to offer praise and credit to director Robert Rodriguez and co-writer/co-producer James Cameron for providing a rive...

It’s fair to say that the third Ant-Man movie is the most ambitious of the trio. It’s also unlike most superhero movies, taking the storyline into uncanny and mostly unexplored (at least in the MCU) directions. There are glimpses of potential ...

Edgar Wright’s Baby Driver seeks to inject a dose of high octane into a heist film while illustrating how it’s possible to make a car chase exciting in an era when few action staples have become more boring and predictable. The film also s...

Bound appears to be ripe with all the elements necessary for a top-notch exploitation flick: leather, guns, gangsters, blood, and a couple of hot-to-trot lesbians. From the first scene, however, it's obvious that the writing/directing team of...

Chasing Mavericks feels like two completely different movies that have been mashed together. The first, a derivative and unsatisfying coming-of-age story about a Santa Cruz boy and his adopted father figure, seems uncharacteristically weak for the ...

As appealing as Alicia Silverstone is (and she possesses that ethereal "star quality" which is sadly lacking in many of today's up-and-coming performers), her presence can't quite elevate this breezy comedy to the level of a modern classic. A cont...

Love and dance have been linked together for as long as there have been movies. Cuban Fury is the latest member of this proud tradition but it's not likely to cause many viewers to forget the classics (or even some of the not-so-classics) of the ge...

Fur uses the real-life name and some of the real-life background of photographer Diane Arbus (Nicole Kidman) as the launching point for an entirely fictional romance. The movie is open about its aims and doesn't try to hide the fact that this is n...

Mike Leigh has often been referred to as a prince of misery. His films, grounded in working class reality, are often downbeat. It's hard to argue with their quality or authenticity, but one typically doesn't walk out of a Mike Leigh film with a r...

John Sayles is one of the last true independent American filmmakers. Honeydripper is his 16th feature and he has made all of them on his own terms without studio interference. (He sells them to distributors once they are in the can.) To date, his...