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For Pixar, Monsters University stops the bleeding. In the wake of two disappointing films, 2012's lackluster Brave and 2011's misfire Cars 2, the animation company has returned to solid footing with a prequel to their 2001 entry, Monsters Inc. Alth...

The Monuments Men is a World War 2 story, but it's unlike the traditional World War 2 stories we have become familiar with over the years. Many of the historical touchstones are present, including Normandy and The Battle of the Bulge. Roosevelt, Tr...

Few working directors are as consistently, dependably quirky as Wes Anderson, whose films tend to excite art house audiences while being ignored and bypassed by mainstream movie-goers. His latest, Moonrise Kingdom, represents one of his best, in la...

To call Music of the Heart a departure for filmmaker Wes Craven is to make an understatement of colossal proportions. Craven, the driving force behind two of the world's most popular horror movie series, A Nightmare on Elm Street and Scream, has o...

Tone is the most noteworthy aspect of Shari Springer Berman and Robert Pulcini's The Nanny Diaries. In adapting the best-selling 2002 novel by Emma McLaughlin and Nicola Kraus, the husband-and-wife team behind American Splendor have tried to keep ...

Not only is Nashville the title of Robert Altman's 1975 cinematic masterpiece and the name of the city in which the action is set, but it is the biggest and most colorful character on a palette crammed with well-developed, interesting individuals. ...

Despite his reputation as one of America's foremost "serious" filmmakers, Oliver Stone's name under the "director" caption does not guarantee a good movie. I learned that lesson while enduring the seemingly-endless tedium of The Doors, and was rem...

With a cast featuring Ben Stiller, Owen Wilson, Robin Williams, and Ricky Gervais, one has a right to expect something amusing from Night at the Museum. Oddly, not only is the movie unfunny, but it rarely tries for laughs. The only jokes in the pr...

The best thing that can be said about the second Night at the Museum (which bears the unnecessarily long full title of Night at the Museum: Battle of the Smithsonian) is that it's harmless. And pointless. And dumb. This is a perfect example of a ...

Into the calm before the box-office storm of The Lost World rises Night Falls on Manhattan, Sidney Lumet's triumphant return to worthwhile movie-making. The director of such memorable films as Serpico, Dog Day Afternoon, and Network has been in a ...