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Considering the success of Peter Jackson’s live-action The Lord of the Rings trilogy and, to a lesser extent, his Hobbit movies, it may be difficult to remember that, during the 1970s and 1980s, the medium used to bring Middle Earth to the masse...

Watching Lords of Dogtown, I momentarily became nostalgic for the summer of 1977, when I would ride my skateboard down my inclined driveway, then see if I could make the sharp turn onto the sidewalk without wiping out. But nostalgia is hardly a re...

Calling a motion picture Loser is a brave move because it places the film in a precarious position if the critical reaction is less enthusiastic than the producers expect. In this case, however, that's not an issue; this movie succeeds in a modest...

It's as easy to deride The Losers for not being what it isn't as it is to celebrate it for being what it is. An unapologetic B-grade feature, The Losers delivers most of what's expected from this sort of picture, with a few shortcomings. The one-...

A few films from the 1980s have aged like fine wine. More, however, have turned to vinegar. The Lost Boys, despite its nostalgia-soaked reputation, falls into the latter category. A horror comedy that is neither as scary as it should be nor as fun...

The Lost City of Z is an adaptation of David Grann’s non-fiction book of the same name. Expanded from the author’s 2005 New Yorker article, the 2009 hardcover became a New York Times bestseller and garnered over a half-dozen major awards ...

The Lost City is probably best viewed as a romantic comedy spiced by adventure elements rather than the other way around. Regardless, it’s passably sweet entertainment but, just as it’s unlikely to stick in the craw, it won’t hold a place in...

Although not much happens during the course of The Lost Daughter, the film’s tone exerts a powerful spell. A character study of a woman who’s neither as composed nor as affable as she initially seems, Maggie Gyllenhaal’s directorial debut ex...

If nothing else, the film’s title is accurate – this is indeed a tale of Lost Girls and Love Hotels. As much an exploration of the two faces of Japan as it is a chronicle of the sordid tragedy of one woman, the film suffers from an overly-...

Perhaps it's redundant to say that a David Lynch movie is weird (actually, "incomprehensible" might be a better word). Don't ask me to explain Lost Highway; I'm not sure I can. For that matter, don't ask Lynch, either. All he's willing to sa...