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The Lighthouse is an unconventional thriller that combines claustrophobic elements such as those found in submarine movies with the isolation aspects of productions like Cast Away. While exploring the strained interpersonal relationship betwee...

Despite its share of missteps (the most egregious of which unfortunately occurs late in the proceedings), Limbo is just weird and wonderful enough to earn a recommendation. What starts out as an exercise in absurdist and surreal comedy turns i...

An atmospheric period-piece murder mystery, The Limehouse Golem combines elements of Sherlock Holmes and Jack the Ripper into a Victorian-era gothic stew that, although perhaps not as ultimately satisfying as it might have been, nevertheless p...

Following six James Bond movies with Sean Connery (and one with the dead-on-arrival George Lazenby), it was difficult -- to say the least -- for fans to accept the transition to wisecracking Roger Moore when he debuted in 1973. It didn't help t...

First things first – Living is not quite as good as Akira Kurosawa’s Ikiru (of which it is a remake), but it’s a damn good re-interpretation. Although many of the plot details are identical and the acting is powerful in both instances, the b...

I'll be among the first to admit that Timothy Dalton is a fine actor. But giving a solid performance has little to do with being a good James Bond, and, as accomplished as Dalton is, he's a failure as 007 in The Living Daylights (to give him ...

The tale of Lock, Stock, and Two Smoking Barrels is the most improbable of success stories. After having difficulty securing a financial backer, Guy Ritchie's debut feature became one of the biggest home-grown successes in the U.K. last year. Now...

This may not sound like a recipe for cinematic success: a man, alone in a car as he makes a 90-minute trip to London, connects with the voices of the outside world via his mobile phone. Yet, with tremendous work by actor Tom Hardy anchoring a film ...

It’s a shame that, for all the good things Love Lies Bleeding does, the ending is such a complete disaster. After more than 90 minutes spent exploring neo-noir tropes and crafting a fascinatingly ambiguous lead character, Rose Glass’ sophomore...

Love's Labour's Lost has always been regarded as one of the most enigmatic of Shakespeare's plays. In modern times, it is almost never performed, and, unlike the text of the Bard's major works, it fails to come alive on the printed page. In an in...