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Serene. Beautiful. Untouchable. All of those words can be used to describe the subject of Leonardo Da Vinci's best-known painting, "The Mona Lisa." And, while almost everyone knows what she looks like, no one knows her story. Her life is a bla...

Who said science fiction films have to be expensive? According to multiple sources, the total production cost for Gareth Edwards' feature debut, Monsters, was south of $20,000. That's a remarkable achievement for a movie whose subject matter invo...

One of the questions I am frequently asked by e-mail is "What is your favorite comedy?" In a horse race that's almost too close to call, I have decided upon A Fish Called Wanda, followed closely by The Life of Brian, then Monty Python and the Holy...

Each of the three "official" Monty Python movies has its own distinguishing quality. The first, 1975's Monty Python and The Holy Grail, is arguably the funniest and (in some ways) the silliest. The last, 1983's The Meaning of Life, is the most un...

Moon illustrates a truism forgotten by Hollywood: the best science fiction films are about something. This film does not feature explosions. It does not contain endless, mind-numbing chase sequences. Instead, it's a simple idea-rich storyline th...

Moonraker is a sort of James Bond meets Star Wars. Released in 1979, the year that saw the arrival of Star Trek on the big screen, Moonraker was the latest film to latch onto the science fiction revival started by George Lucas' 1977 picture. ...

Something went wrong (or got lost) in the translation of Graham Swift’s novella to the movie adaptation, directed by Eva Husson from a screenplay by Alice Birch. There’s no debating that the finished product looks gorgeous, with all credit due...

For whatever reason, the character of Mr. Bean has never caught on in the United States. Rowan Atkinson's most popular creation has a small following in this country, but labeling him as an "acquired taste" would be an accurate descriptor. Unfort...

Mrs. Brown is a love story much in the same vein as Carrington in that it deals with platonic affection that runs deeper and truer than that of the motion picture staple romantic variety. These days, it seems that whenever we see a male/female...

Mrs. Harris Goes to Paris matches the tone and aesthetic of one of those feel-good, highbrow art house films that were popular during the 1990s and 2000s. (It’s not quite on the same level as Enchanted April but is better than The Best Exotic Mar...