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"I think the title [of Little Women] has been so off-putting for men over the generations. They feel this is a terribly 'girly' story. But it's actually a wonderful epic tale about family where men's roles are just as important and deeply involve...

Looking for Comedy in the Muslim World is a great title with a great premise for a not so great film. The comedy of Albert Brooks is delicate stuff - self-deprecating one-liners that need the perfect context to generate laughter. Films like Mothe...

A few films from the 1980s have aged like fine wine. More, however, have turned to vinegar. The Lost Boys, despite its nostalgia-soaked reputation, falls into the latter category. A horror comedy that is neither as scary as it should be nor as fun...

With Magnolia, director Paul Thomas Anderson has segued into the realm of the three hour movie. It's an ambitious step to take - making lengthy, ensemble movies with tangentially related and occasionally interconnected storylines can be a risky en...

I’ve long since given up asking the question “Why?” when it comes to filmmakers turning to foreign language films for the storylines of new English-language films. Sometimes, in fact, the results can be quite satisfactory – take the 2022 r...

The filmmakers behind Marshall understand what it takes to make a successful bio-pic. Instead of using a “greatest hits” strategy that attempts to cram an entire life into two hours, they have targeted a single representative event from th...

The Master is one of the most technically impressive films of 2012. It is the work of an artist; every shot is carefully composed. The set design, which recreates post-World War II America, is impeccable. The acting of the leads, Joaquin Phoenix an...

Meet Joe Black has the dubious distinction of being the longest film to date of 1998. It is also one of the most tedious and bombastic. At a hair under three hours, it's shorter than James Cameron's Titanic, yet, when it comes to pace, Joe Black ...

It's refreshing to see a movie in which there are no special effects, no camera tricks, and no incidental music to strum on a viewer's emotional strings. These are some (but certainly not all) of the tenets of Dogma 95, the much-ballyhooed "cinema...