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Taken 3 is exactly what one might anticipate from an unnecessary sequel in a mediocre franchise. Even those desperate for a Liam Neeson action fix may be disappointed. The film, directed like its immediate predecessor by Luc Besson disciple Olivier M...

Takers is a standard-order heist flick that stays mostly true to its B-movie roots until the end, when director John Luessenhop attempts to inject a little seriousness (there's some slow-motion and even an operatic score) into an otherwise unpreten...

The Hollywood remake train continues unabated, racing through signals as it dives underground into New York City's subways. At least it can be said that this, the third version of The Taking of Pelham 123 (following the 1974 feature and a 1998 mad...

At its best, Terminal is a tasty, tangy parfait – a kaleidoscope of neon-tinged visuals and a twisty storyline with a tortured time line. The glue that holds everything together is Margot Robbie’s high-energy, off-kilter performance, influ...

When one approaches something like The Housemaid, one has to go with reasonable expectations. Freida McFadden's book, a perfect summer beach read, is the kind of page-turner that can easily be consumed in a few lengthy sessions. Transforming it fr...

The Long Walk represents one of Stephen King's rare ventures outside the horror genre. A dystopian thriller, the film adaptation alternates between lengthy, dialogue-driven sequences and sudden bursts of graphic violence. At times, it feels almost...

For the most part, Netflix has two modes of films: high-profile prestige projects and “lesser” titles that use recognizable stars to lure bigger audiences. The Woman in Cabin 10 fits snugly into the latter category. For lack of a better descri...

When it was released in 1982, John Carpenter's remake of Howard Hawks' 1951 science fiction classic The Thing from Another World spurred much debate about not only which film was more effective but whether Carpenter's version fit better into the sc...

Many critics consider The Third Man to be the best British post-World War II film noir. There are others (myself included) who believe it to be one of the best-ever examples of film noir to come out of all of Europe. The Third Man has all the rig...

For thirteen days in 1962, from October 16 through October 28, the world teetered on the brink of nuclear war as the United States and the Soviet Union stood toe-to-toe, neither bending, each waiting for the other to blink. Despite public assu...