Movies starring Emma Stone

I have seen Ari Aster's Eddington described in several places as a "provocation." To me, that's too erudite a term to apply to this middling, unfocused motion picture. Aster's cThe more he tries to amp up the "controversial" elements, the more he ...

With a sly wit and a dark edge, director Yorgos Lanthimos plunges into the murky waters of early 1700s British politics, where few positions were more enviable and less stable than being the queen’s favorite (or, in Brit-speak, “favourite�...

There seems to be little doubt that Ruben Fleischer, the director behind the well-received Zombieland and the less well-received 30 Minutes or Less, is a Brian De Palma fan. How else to explain the kinship that exists between Fleischer's latest, Ga...

What happens when Hollywood marries Charles Dickens, that wacky 19th century romantic comedy scribe, to Matthew McConaughey, that wacky naked bongo drum player? To begin with, great expectations should be curbed. The result is not as good as it sho...

Perhaps the greatest benefit offered by The Help is that it aids in remembering. Race relations have changed so radically in America over the last half-century that it's difficult for today's young to grasp how contentious and hate-filled things we...

The House Bunny has a screenplay written with ten-year olds in mind about a subject that deserves an R-rating. The resulting hodgepodge of unfunny, sophomoric humor and PG-13 T&A, frosted by a sheen of appallingly nauseous "drama," makes for such ...

To date, The Favourite ranks as the nearest Yorgos Lanthimos has come to making something easily accessible to mainstream movie-goers. Poor Things comes in a close second, despite its Frankenstein­-inspired weirdness. But, with Kinds of Kindness,...

La La Land, Damien Chazelle’s much-anticipated follow-up to his stunning 2014 feature debut, Whiplash, illustrates the magic that can result when a director is fully committed to a vision. Chazelle doesn’t just want to tell a story (altho...

Working at his current pace, Woody Allen delivers one film per year. Unfortunately, it has been decades since Allen's endeavors have been consistently good. In fact, even as far back as the 1990s, quality movies have been more the exception than th...

Is Poor Things a fantasy with comedic elements? Or perhaps, considering its Frankenstein underpinnings, a horror movie? Or maybe a drama that promotes feminist ideals and libertine philosophies? In reality, it may be all of those things…and more...