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One could make a solid argument that the 2006 remake of The Hills Have Eyes is superior to the 1977 original. The story has been tightened up, the acting is better, and the blood-and-gore effects aren't as hokey. Unfortunately, the biggest stumbli...

At the heart of The Holdovers lies a cliché – something about life-lessons imparted and accepted from a mismatched companion – but the manner in which director Alexander Payne and writer David Hemingson approach this familiar trope imbues it ...

Hostage represents Bruce Willis' latest attempt to produce a thriller with the kind of broad appeal exhibited by his most successful big-screen endeavor, Die Hard. The largest potential drawback to enjoying this movie is getting past some of the p...

Every February it seems there's something like The Hottie & the Nottie - a cinematic excursion so horrific that it's an insult to bad movies to call it a bad movie. One question that might cross the curious movie-goer's mind is who in his/her righ...

One could easily make the argument that How to Lose a Guy in 10 Days is a perfectly acceptable diversion. Kate Hudson's Andie Anderson and Matthew McConaughey's Ben Barry are both affable individuals and, when the script allows it, there are fitfu...

It would be interesting to know what contribution (if any) credited screenwriter Alexander Payne (Election, Sideways) made to the final draft of I Now Pronounce You Chuck and Larry. Except for the cloying, strident preachiness of the third act, th...

When all of the dust from 2004's crumbling blockbusters has settled, I, Robot will likely emerge as the strongest mainstream motion picture of the summer. The best big-budget science fiction film since Minority Report, I, Robot gets high marks not...

"Et tu, Brute?" The Ides of March illustrates the universally acknowledged truism that nothing can corrupt idealism more completely than politics. The sad thing about this American tragedy is that not a single twist, turn, or betrayal is difficu...

Imaginary is Blumhouse through-and-through. Once in a while, Jason Blum’s template results in an honest-to-god inventive horror experience but, more often than not, his cheaply-made, throw-way films belong buried six feet under with the various ...

Romantic comedies don't get more generic than this one. Imagine Me & You (beware movies that borrow their titles from pop songs…) follows the established formula with only one Sapphic deviation - the romantic leads are both female. But, for all...