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Four Rooms, a four-segment anthology directed by independent film darlings Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino, has to be one of 1995's major disappointments. Perhaps it's the format itself -- twenty minutes...

Most directors have their obsessions and many of them, when realized, disappoint on one level or another, oftentimes because the filmmaker lacks distance. They have crafted the movie so lovingly in their minds over the years—visualizing every sh...

Freakonomics is a most atypical documentary indeed. Comprised of a collection of shorts by noted filmmakers Morgan Spurlock (Super Size Me), Alex Gibney (Taxi to the Dark Side), Eugene Jarecki (Why We Fight), Seth Gordon (The King of Kong), and He...

Spoiler Alert: When it comes to a movie like “Fresh,” there’s a legitimate question of what constitutes a spoiler. A lot of it depends on how much a reader knows about the film prior to reading the review. Anyone who has been paying atte...

With a title like G.I. Jane, it would be easy to dismiss Ridley Scott's latest effort as exploitation fare. Such a reaction, however, would do the picture an injustice. On the other hand, the movie lacks the thematic depth that the film makers wo...

There’s a method to the madness of first-time director Ninian Doff, and also a message in that madness. A survival-of-the-fittest comedy set in Scotland’s Highlands, Get Duked! (née Boyz in the Wood) illustrates that a traditional horror ...

The Ghost Writer is a reminder that, regardless of his real-life problems, Roman Polanski can still craft compelling thrillers. This isn't Chinatown, but it doesn't need to be. Based on the novel The Ghost by Robert Harris, it's a fictional tale ...

Girl with a Pearl Earring is the first feature for director Peter Webber. Most freshman filmmakers don't come close to Webber's level of accomplishment, and (not to take anything away from him) some of the credit must certainly be parceled out to ...

The concept of a movie being “so bad it’s entertaining” is often employed as a way of disparaging a film that doesn’t work in the way the director planned. It’s a valid description but the word to focus on is entertainin...

Where Roland Emmerich and Dean Devlin failed spectacularly, Gareth Edwards has succeeded. Although the 2014 edition of Godzilla isn't the be-all and end-all of monster movies, it's a respectable big-budget effort. Most importantly for legions of f...