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The Golden Compass, the long awaited cinematic adaptation of Philip Pullman's well-respected novel, is an adequate but not inspired translation of the source material. Writer/director Chris Weitz (one of the American Pie guys) brings a style that i...

From The Royal Tenenbaums to Fantastic Mr. Fox, Wes Anderson's movies have always been quirky with exaggerated characters and surreal settings. The Grand Budapest Hotel is instantly recognizable as the director's output - it possesses all the quali...

The mention of Pinocchio generally stirs up memories of the 1940 Disney animated feature, which (at the time) was the greatly anticipated follow-up to 1937’s Snow White and the Seven Dwarves. Today, Disney’s Pinocchio is regarded as one of the...

From its early days at the Off-Broadway Public Theater in February 2015 through its highly-anticipated opening on August 6 at the Richard Rogers Theater, it was apparent that Lin-Manuel Miranda’s Hamilton was going to be the big live theater...

"Presenting the play uncut has allowed the characters to reveal even more, and we discover extra details about them which are usually lost on stage. The political situation becomes clearer, and Hamlet is revealed as a knowledgeable man of the thea...

Hamlet 2 (a great title) does not represent the first time in recent years that something unconventional has been done to one of the Bard's classics. (Although, to be sure, no one has been as audacious as to develop a musical sequel to a play.) S...

From a purely business standpoint, the decision to bifurcate Harry Potter and the Deathly Hallows is a winner. Instead of cashing in about $300 million at the domestic box office, Warner Brothers can now count on at least $600 million (bigger worl...

Seen in the Real3D format. After ten years and eight movies, the cinematic adventures of Harry Potter have come to a conclusion. Parties will be held, tears will be shed, and Warner Brothers will rejoice that a franchise like this keeps giving l...

When I first saw High Tension at the 2003 Toronto Film Festival, I wrote the following: " [High Tension] has virtually no chance of finding a North American distributor. After all, what's the market for slasher films with subtitles?" Imagine my ...