Search for Based

John Milius' 1984 action/adventure film, Red Dawn, has long faded from the memories of all but a small group of intense devotees. It is perhaps best remembered, to the extent that it's remembered at all, as the answer to a number of trivia question...

Somewhere buried in the structurally unsound and unevenly paced Red Joan, there exists the material for not only one but two intriguing motion pictures. Unfortunately, neither manages to struggle to the surface and we’re left with a mediocr...

15 years ago, this is the kind of chilling, gripping thriller that a hungry distributor like Miramax would have snapped up. Now, it's up to a small company like Wellspring to find these gems in the rough and bring them to our attention. Red Light...

There are two commonly heard sayings about power. The first, "With great power comes great responsibility," sounds almost sanctimonious but represents the credo by which we expect heroic figures (such as policemen) to live. The second, "Power cor...

The middle segment of the Red Riding trilogy, Red Riding: 1980, represents the best of the three films - a taut, bleak perspective of the power of pervasive corruption. By the end of this movie, it becomes clear that the rot within the Yorkshire p...

Red Riding: 1983 brings the Red Riding trilogy to a close and, if the five-hour saga doesn't precisely conclude with a proverbial "bang," neither does it go out with a whimper. The third movie represents the middle ground between the promising-but...

Red Sparrow is a deliciously perverse, unflinchingly violent thriller – a modern-day espionage tale that breaks with the tradition of making the spy business the purview of suave and debonair characters. With a story that argues that the Col...

The cream always rises to the top, and such is the indisputable case with Anthony Hopkins' deeply moving portrayal of the stilted butler of Darlington Hall in the newest offering from Merchant Ivory. Reuniting Howards End co-stars Hopkins and Emma...

Memo to director Chris Columbus: In most cases, it's a bad idea for a movie to be a direct representation of a play. "Opening up" the setting is sometimes not all that's necessary to make a stage production into something cinematic. In a theater...

Repo Men feels like it was cobbled together using pieces of other, often better motion pictures. I could provide a list of titles but it would be more comprehensive simply to state that if a movie is set on a less-than-optimistic future Earth, some...