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Made in Dagenham is a fact-based "social conscience film," meaning that it explores an historical struggle against a societal ill. In this case, it's gender inequality - unequal pay for equal work. By chronicling one of the key events that led to t...

Like the occasionally dark Broadcast News and the considerably bleaker Network, Morning Glory takes a peek behind the curtain of television newscasts and reveals that all is not as clean and ordered as it appears over-the-air. The film is at its b...

Paul is arguably the best science fiction comedy since Galaxy Quest. Despite being humorous in its outlook and providing numerous "Easter eggs" to fans of Star Wars, Aliens, Close Encounters, and E.T. (amongst others), this isn't a parody. Outside ...

"Bond. James Bond." Once, those three words stood nape hairs on end for fans of the action/adventure genre. A lot has transpired since 1963 when Dr. No was brought to the screen, but Bond has been a great constant through all those years. One...

There's a fine line between giving homage to something and stealing from it - and the division is usually defined by how creative and enjoyable the final product is. Using that distinction, Stargate is on uncertain ground. This new big-budget sci...

The scrutiny surrounding Tomorrow Never Dies, the eighteenth "official" James Bond film (not counting Casino Royale or Never Say Never Again), isn't as intense as it was around Goldeneye, but the attendant hype is, if anything, even more severe. ...

The Oscar buzz surrounding Peter O'Toole is deafening. Despite having been nominated seven times, he has never won an Academy Award (unless you consider the honorary statue presented to him a few years ago). Roger Michell's Venus, which may be O'...

Ten years ago, when the second and final Timothy Dalton Bond movie, Licence to Kill, tanked at the box office, it looked like the venerable secret agent had finally run out of gas, driven into the ground by the likes of The Terminator and Rambo. A...