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"In October of 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland while shooting a documentary. A year later their footage was found." With this ominous pronouncement on a title card, The Blair Witch Project begi...

Blue Velvet is David Lynch in peak form, and represents (to date) his most accomplished motion picture. It is a work of fascinating scope and power that rivals any of the most subversive films to reach the screens during the '80s. For Lynch, the ...

The usual function of the "revenge flick" is to allow the viewer to vicariously experience the brutal pleasure of executing that "dish best served cold." It's a basic case of good versus evil, with the former striking back against the latter. The...

This movie gave me a headache. Okay, maybe that's an unfair charge to lay at its feet but the fact is that when I walked into the theater, I was fine and when I walked out I had a throbbing pain between my temples. And Bride Wars is the kind of m...

Broken Flowers shows the kind of offbeat spin that a quirky independent director like Jim Jarmusch can put on a Hollywood standby: the road picture. Using equal parts understated drama and comedy, Jarmusch takes us on a trip through the present to...

Brothers is arguably the most successful remake of a foreign film since Martin Scorsese reworked Infernal Affairs into The Departed and won the Oscar. By remaining rigorously faithful to Susanne Bier's 2004 Danish feature, Brodre, screenwriter Dav...

In The Dead Don’t Die, we get a glimpse of The Zombie Apocalypse according to hipster director Jim Jarmusch and, as one might expect, it doesn’t resemble what we have come to expect based on the movies of George A. Romero or the TV series ...

Die Hard represents the class of modern action pictures and the standard by which they must be judged. Few films falling into the "mindless entertainment" genre have as much going for them as this movie. Not only is it a thrill-a-minute ride, but...