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21 Grams is a stunning kaleidoscope of a motion picture - a mosaic of images that gradually resolves itself into a powerful tale of tragedy and redemption. Not only is this one of the year's most compelling motion pictures, but, in terms of struct...

Without a doubt, the majority of the reviews of Amores Perros, the acclaimed debut feature from Mexican filmmaker Alejandro González Iñárritu, will, at one time or another, invoke Pulp Fiction. There are undeniable similarities, although most o...

Babel represents director Alejando Gonzalez Iñárritu's conclusion to a stylistic and thematic trilogy begun in Amores Perros and continued in 21 Grams. Of the three, Babel is arguably the most accessible. As with 21 Grams (and to a lesser degree ...

Those regarding Blade II as a travelogue will not be planning their next vacation to Prague, where the bulk of the motion picture takes place. (Economic considerations caused it to be filmed there.) The Eastern European city is portrayed as a shad...

Crimson Peak works as an homage to 19th century gothic literature. Beyond that mission statement, however, it has trouble gaining traction. Although the film may hold a certain appeal for those who have spent long hours thumbing through the pages of ...

Reprinted with permission from The Vampire Gazette, Volume 348, Issue 5, May 1994. Throughout the ages, human beings have harbored a not-so-secret fascination about our kind. "Children of the night" they call us, romanticizing the price that we...

Don't Be Afraid of the Dark, a re-make of the 1973 made-for-TV movie of the same name, is a haunted house movie whose success lies in the careful manner freshman director Troy Nixey steeps everything in a surfeit of atmosphere. It overflows. It suf...

There is no truth to the rumor that free frontal lobotomies will be performed at the entrance to all theaters showing Eagle Eye. This movie tests the viewing public's tolerance for enduring crass stupidity when the payoff is a series of repetiti...

Four Rooms, a four-segment anthology directed by independent film darlings Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino, has to be one of 1995's major disappointments. Perhaps it's the format itself -- twenty minutes...

Most directors have their obsessions and many of them, when realized, disappoint on one level or another, oftentimes because the filmmaker lacks distance. They have crafted the movie so lovingly in their minds over the years—visualizing every sh...