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Lisa Frankenstein is a bad Tim Burton movie with two unlikable main characters. A satirical tale of the high school-age romance between an undead serial killer (Cole Sprouse) and his weird enabler girlfriend (Kathryn Newton), the movie not only re...

Simply put, Sofia Coppola's Lost in Translation is an amazing motion picture. There may be some controversy over whether she truly wrote the screenplay on her own (there are sequences that argue that she at least had help from someone with a littl...

As straightforward “based on a true story” movies go, Loving is a strong account of the key factual events that led to the landmark 1967 Supreme Court decision overturning anti-miscegenation laws. Effectively acted and occasionally moving...

Ang Lee's follow-up to Brokeback Mountain is Lust, Caution. The film's receipt of an NC-17 by the MPAA was dutifully noted by the mainstream media, as was the distributor's (Focus Features) decision not to appeal the rating. NC-17 movies aren’t r...

When applied to an animal, the term "mule" refers to a beast of burden - a slow, plodding, stupid creature whose sole asset is that it can transport large amounts of cargo without choice or complaint. When applied to a human being, the word means ...

Mary Queen of Scots is the latest motion picture to plunder the fractious history between England and Scotland during the middle centuries of the previous millennium. Although transpiring some 250 years after the events depicted in Outlaw King...

30 years have passed since the assassination of San Francisco Supervisor Harvey Milk and, the ballot passage of California's recent Proposition 8 notwithstanding, advances have been made in the area of gay rights, although there are still many hurd...

Amy Adams must enjoy fairy tales - this is the second one in which she has appeared during the last six months. Although Miss Pettigrew Lives for a Day differs substantially in many key areas from Enchanted, both movies are anchored by Adams, whos...

We all have monsters - dark impulses that dwell in the deepest recesses of our minds, occasionally forcing their way into our nightmares or impinging on our consciousness. A Monster Calls asks (but doesn’t answer) the question of whether such m...

Few working directors are as consistently, dependably quirky as Wes Anderson, whose films tend to excite art house audiences while being ignored and bypassed by mainstream movie-goers. His latest, Moonrise Kingdom, represents one of his best, in la...