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With movies like The High Note that tell familiar stories, it’s all about how things are presented. Details matter. Performances are key and the “little things” that give the narrative a unique flavor are to be savored. In imparting the ...

At the heart of The Holdovers lies a cliché – something about life-lessons imparted and accepted from a mismatched companion – but the manner in which director Alexander Payne and writer David Hemingson approach this familiar trope imbues it ...

The question of whether actor George Reeves committed suicide or was murdered will go down in history as one of Hollywood's great unsolved mysteries. Allen Coulter's Hollywoodland, a fictionalized account (it uses both apocryphal stories and confi...

Since stepping away from working with his brother Joel, Ethan Coen has found a new creative partner in his wife, Trisha Cooke. Honey Don't! marks their second collaboration and, like Drive-Away Dolls, it revels in B-movie excess. That shouldn't be...

Televangelism and those who practice the dubious form of money-driven religiosity represent low-hanging fruit when it comes to satire. A lot of the material – Jimmy Swaggert crying crocodile tears, the eyes of Tammy Faye, etc. – comes across a...

The wonderful thing about dreams, like hope, is that everyone can nurture their own, and there's no cost. It's taking the next step -- transforming those wispy ideals and half-realized wishes into reality -- that demands a price, and sometimes a ...

Hyde Park on Hudson represents the odd marriage of an uninteresting, borderline-creepy "romance" and a peek behind the scenes of a notable but unsung historical event. 2012 has seen dramatizations of eras from the administrations of two of America'...

There are those, including the distributor, who would like audiences to believe that The Ice Harvest is a comedy. At first glance, that's not so hard to accept. After all, director Harold Ramis was one of the Ghostbusters co-writers and scored a ...

For its first two-thirds, In Bruges is an intelligent, gently paced thriller about what happens to hitmen when they screw up. The movie crawls at a deliberate pace for most of its running length, allowing the characters to be fleshed out and offer...

Like David Lynch, Miranda July populates her films with quirky characters and her narratives peel back the veneer of normalcy to show what’s underneath. That’s where the similarities end, however. While Lynch gravitates toward darkness and...