Search for Features

The Boxtrolls represents the best animated movie to reach theater screens since The Lego Movie exploded on the scene in February. A British-flavored, 3-D stop motion affair, The Boxtrolls channels more than a little Monty Python in telling its Tarz...

“Conversion Therapy.” It sounds benign, perhaps even welcoming. The truth, as exposed in the articles and memoirs written by Garrard Conley, is far different. The intention of this process, which has been vociferously denounced by nearly e...

Watching Brian and Charles, I was stuck by an unassailable sense of déjà vu. The conversations between Brian (David Earl) and Charles (Chris Hayward) bear a startling resemblance to those I have with my 2 ½-year old daughter - exasperation coll...

Longing is such a potent element of the human experience that it has formed the fabric of numerous stirring motion pictures. Brokeback Mountain is one such movie - a tale of love and loss, of unrealized dreams, and of lives wasted by denying passi...

Broken Flowers shows the kind of offbeat spin that a quirky independent director like Jim Jarmusch can put on a Hollywood standby: the road picture. Using equal parts understated drama and comedy, Jarmusch takes us on a trip through the present to...

For the first time in their four collaborations, the director/actor pairing of Yorgos Lanthimos and Emma Stone misses fertile soil. Bugonia, a remake of Jang Joon-hwan’s 2003 comedy Save the Green Planet!, proves to be a mismatch of tone and mat...

After watching the Coen Brothers spend years mowing their way through genres and upending conventions, one question comes to mind: Is there anything these guys can't do. Common wisdom suggests "no" and, after winning Oscars early this year for No...

The scenario presented in Captive State would almost certainly have worked better in a mini-series format. The filmmakers’ low-budget approach of minimizing special effects might have allowed for an expansion of the narrative over a six or ei...

Writer/director Paul Schrader makes moody, low-budget movies about isolated people. While his highly regarded reputation as a screenwriter is deserved (he wrote, among other titles, Raging Bull and Taxi Driver), his directorial resume is checke...

It would be easy to dismiss Catch a Fire as yet another story of a heroic rebel fighting against an oppressive regime. That would be an accurate high-level description of the story, but it neglects the intangibles: solid acting, effective direction...