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Labor Day weekend is arguably the worst time of the year for a U.S. movie release. Films set to open at the end of August/beginning of September are given up for dead by their distributor. This is typically for one of two reasons: the production is...

Sometimes, the lure of generic horror tropes can be too strong for even the most high-minded films to avoid. Come Play is an example. The premise intrigues with its potential – the idea that just because something looks like a traditional �...

As a dramatic exploration of the political wrangling that occurs behind-the-scenes when the College of Cardinals meets to elect a new pope, Conclave is compelling and intriguing. As an opportunity for a group of top-notch actors to showcase their ...

Henry Selick has a particular sensibility and, when choosing material for his movies, he seeks stories that fit into the slightly twisted, quasi-fairy tale realm where he feels comfortable working. Thus, in the past, he has collaborated with Tim B...

It has been called brave, rousing, and shocking. At the 1996 Cannes Film Festival, where it received its world premiere, it was both hailed and booed, and received a special jury prize for "originality, daring, and audacity." Ted Turner, who ...

Dallas Buyers Club tells the story of Ron Woodroof, a raging heterosexual homophobe who, over the course of several years in the mid-to-late 1980s, was transformed by circumstances from a card-carrying bigot into a staunch gay rights' activist. Aft...

There’s an inevitability about The Danish Girl being well received by critics and at awards ceremonies.  This is, after all, a movie with a strong social message about tolerance and inclusivity. Dramatically, however, it’s a mixed ba...

It has been a good year for movies related to the 1940 evacuation from Dunkirk. Combined with Christopher Nolan’s Dunkirk (about the actual events) and Lone Scherfig’s Their Finest (about a clumsy propaganda film made about the situation), ...

In The Dead Don’t Die, we get a glimpse of The Zombie Apocalypse according to hipster director Jim Jarmusch and, as one might expect, it doesn’t resemble what we have come to expect based on the movies of George A. Romero or the TV series ...

Watching The Debt, I was reminded of how entertaining a well-executed Cold War thriller can be. Although elements of this movie, based on the 2007 Israeli film Ha-Hov, have a kinship to Steven Spielberg's Munich, the overall thrust is more in line ...