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It's hard to actively dislike Cesar Chavez, Diego Luna's bio-pic of Cesar Chavez, the co-founder of the National Farm Workers Association. Chavez looms large in the pantheon of 1960s/70s Civil Rights activists and the movie gives him his due, attem...

"And to all the critics who hated our last flick -- all is forgiven." -- Chasing Amy's closing credits Well, I didn't exactly hate Mallrats, but I thought it was a comedown for Kevin Smith, the talented writer/director who debuted strongly with...

What potentially could have been the greatest asset possessed by Che - its unapologetic length - turns into its greatest detriment. One frequent complaint about cinematic biopics is that too much condensation is required and, as a result, key aspe...

Watching Cheri, I felt like someone had turned back the clock by about 15 years. The early-to-mid-1990s were a fertile time for literate, lavish adaptations of period piece literature, with frequent destinations being Europe between the early-1800...

Once upon a time, a Broadway musical like Chicago would have automatically received a silver screen treatment – but that was before the popularity of the movie musical crashed and burned. Nevertheless, the enthusiasm surrounding the 1996 revival...

Many of Orson Welles’ films have brilliantly stood the test of time. Chimes at Midnight, his final completed feature film as a director, is not one of them. A re-imagining of three of Shakespeare’s historical plays (with links to two more)...

The Chorus is one of those feel-good stories that Miramax Films has become expert in importing. This one is the French equivalent of Mr. Holland's Opus - the inspiring story of how a teacher comes to change the lives of his headstrong students. A...

Christmas movies and dysfunctional families go together like hands and gloves. Whether a comedy or a drama, from the absurd to the sublime, Christmas trees are often coupled with family divisions. While films like National Lampoon's Christmas Vaca...

Suddenly, the "Hong Kong style" is in. Not only are director John Woo and actor Jackie Chan both releasing English-language films early in 1996 (Broken Arrow and Rumble in the Bronx, respectively), but the number of Hong Kong titles obtaining wide...

Note to readers: this review contains spoilers. While I do not believe the revelation of certain plot points will in any way compromise the viewing experience, those who wish to see The Cider House Rules without having previous knowledge of certain...