Movies in the Comedy genre

When Yogi Berra said "It's déjà vu all over again," maybe he said it best. Then again, perhaps it was John McClane: "How can the same shit happen to the same guy twice?" While neither was specifically referring to The Hangover Part II, Todd Phi...

The Hangover Part III is an obvious example of how wrong things can go when the almighty dollar is allowed to rule what comes out of Hollywood. When the first Hangover stunned analysts by becoming not just successful but a massive hit, director Tod...

The Hangover begins and ends conventionally but, in between, it's not afraid to go off the rails. Unlike most so-called "comedies," this one can claim the virtue of being reasonably funny. It never tries too hard, the actors have a good sense of ...

An interesting question occasioned by the release of Hannah Montana: The Movie is whether the motion picture incarnation of the popular TV show is catching the backend of the pop phenomenon wave. Certainly, when the 3D Miley Cyrus concert movie wa...

Happy Endings is one of those ensemble films where several stories are told in parallel with occasional intersection points to keep them from being unconnected. Sometimes, as in the case of Crash, the approach works. Sometimes, as in the case of Ha...

When it comes to golf comedies (not a very popular genre, apparently), the film residing at the dubious pinnacle is Rodney Dangerfield's Caddyshack. Happy Gilmore, the new release featuring Saturday Night Live alum Adam Sandler, tries gamely to att...

“These aren’t the Muppets,” director Brian Henson might remind us, but his smile and wink would hint at what he really thinks. The son of Muppets creator Jim Henson and the man who filled his dad’s shoes directing The Muppet Christmas C...

Harold and Kumar Escape from Guantanamo Bay exists because it was cheap to make and has a devoted core audience, not because its predecessor, Harold and Kumar Go to White Castle, was a blockbuster. The filmmakers, understanding what made the first...

Back in the early 2000s, Walt Disney Pictures, operating from the motive of strip-mining every conceivable asset in the quest for cash, decided to make movies based on its two most recognizable theme park rides: “The Pirates of the Caribbean” ...

1999’s She’s All That was a fine, forgettable slice of mediocrity. In my naivete, I assumed the film’s bland anonymity was the reason it was accorded a gender-swapped remake. After all, while there’s danger in remaking a good movie, when ...