Movies in the Comedy genre

The Hitman’s Bodyguard is a throwback to the mixed-race buddy films of the 1990s. Think Bruce Willis/Damon Wayans in The Last Boyscout or Willis (again)/Samuel L. Jackson in Die Hard with a Vengeance. Those movies, and others like them, emph...

Four years ago, when I reviewed The Hitman’s Bodyguard, I described it as a fun throwback to the mixed-race buddy pictures of the late 1980s and early 1990s. Due in large part to the combustible chemistry between lead actors Ryan Reynolds (w...

The full title of Hobbs & Shaw is “Fast & Furious Presents: Hobbs & Shaw.” By referencing the “parent” franchise in the name, Universal Pictures reminds viewers that this is attached to the behemoth franchise that, over the course of e...

It's 1693 and a trio of witches (Winifred, played by Bette Midler; Sarah, played by Sarah Jessica Parker; and Mary, played by Kathy Najimy) are preparing a spell that will ensure them immortality and eternal youth. However, before the magic is...

At the heart of The Holdovers lies a cliché – something about life-lessons imparted and accepted from a mismatched companion – but the manner in which director Alexander Payne and writer David Hemingson approach this familiar trope imbues it ...

The Holiday is no vacation. Sloppy writing, an overindulgent editor, and poor casting have taken an intriguing premise and transformed it into an uneven mess. The movie follows the lives of two women at Christmastime who trade houses. One story,...

Home Again, Hallie Meyers-Shyer’s contribution to the dying romantic comedy genre, isn’t likely to cause an instant revival. Artificial and reeking of white privilege, this is the kind of movie that causes regular folks to shake their head...

Since stepping away from working with his brother Joel, Ethan Coen has found a new creative partner in his wife, Trisha Cooke. Honey Don't! marks their second collaboration and, like Drive-Away Dolls, it revels in B-movie excess. That shouldn't be...

Televangelism and those who practice the dubious form of money-driven religiosity represent low-hanging fruit when it comes to satire. A lot of the material – Jimmy Swaggert crying crocodile tears, the eyes of Tammy Faye, etc. – comes across a...

Hope Springs has the unusual distinction of providing a sample of what an Ingmar Bergman movie might be like if made for mass American consumption. The production leavens the painful psychological introspection that defined the Swedish director's b...