Movies in the Comedy genre

Sometimes, it's all about the cast. That comment isn't meant to disparage the scriptwriting of Michael Markowitz, John Francis Daley, and Jonathan Goldstein, who offer their share of amusing situations and snappy one-liners, or the direction of Se...

Horrible Bosses 2 (emphasis on "horrible") is an apt title for this repugnant, unnecessary sequel. Painfully unfunny and unnecessarily long, this movie is the antithesis of its predecessor, the delightfully raunchy Horrible Bosses, which chronicle...

One of the most depressing movie-going experiences I can think of is to sit through about 90 minutes of a so-called "comedy" and not laugh once. Unfortunately, that is becoming an all-too-common occurrence. Rob Schneider's The Hot Chick is the mo...

It has been remarked by more than one critic that the action comedy can be one of the easiest movies to make poorly and one of the most difficult to make effectively. The problem is evident: comedy and action often war with one another, each tryin...

It's surprising that Warner Brothers has elected to release such a bad movie in the midst of the hottest box office season - flotsam of this nature is normally unceremoniously dumped in February or September. There's hardly an area in which H...

In the case of Hot Tub Time Machine, the title is arguably more inventive than the movie. An attempt to flavor The Hangover with a little Back to the Future, this film argues that what happens in the '80s stays in the '80s, but does so with middli...

Every February it seems there's something like The Hottie & the Nottie - a cinematic excursion so horrific that it's an insult to bad movies to call it a bad movie. One question that might cross the curious movie-goer's mind is who in his/her righ...

The House Bunny has a screenplay written with ten-year olds in mind about a subject that deserves an R-rating. The resulting hodgepodge of unfunny, sophomoric humor and PG-13 T&A, frosted by a sheen of appallingly nauseous "drama," makes for such ...

James L. Brooks' movies have often been characterized by a rambling quality, and nowhere has that been more evident than in How Do You Know, the closest he has come to a conventional romantic comedy. The problem with the film has little to do with ...

The only holiday Hollywood is better at screwing up than Christmas is Valentine’s Day. Every year it seems that the movie industry is intent on making the Day of Love about as enjoyable as a root canal. 2016’s contribution is How to Be Si...