Movies in the Comedy genre

History has labeled Susan Seidelman’s Desperately Seeking Susan as “a Madonna film” but a more accurate descriptor might be “a Rosanna Arquette film.” Indeed, at the time Seidelman was casting the film, Madonna was a footnote in the musi...

Perhaps the first thing to note about the third Deadpool movie, appropriately titled Deadpool & Wolverine, is that it’s not so much a film as it is a 2-hour sketch comedy, an overlong parody that uses the MCU as a playground in which Ryan Re...

Beverly Hills Cop: Axel F, the fourth installment in the Beverly Hills Cop franchise, understands what made the 1984 original (and its first sequel) successful and leans heavily into those strengths although some elements don’t play as well in t...

Throughout the course of its bloated (132 minutes, sheesh) length, Greg Berlanti’s Fly Me to the Moon never figures out what it wants to be. Is it a rom-com? A screwball comedy? A parody of conspiracy theorists and their crackpot hypotheses? A v...

“Weird” Al Yankovic took popular songs of the day and reworked them in his own image, using new lyrics to craft something that was both familiar and different, existing somewhere between satire and outright farce. Is it any surprise, then, tha...

To date, The Favourite ranks as the nearest Yorgos Lanthimos has come to making something easily accessible to mainstream movie-goers. Poor Things comes in a close second, despite its Frankenstein­-inspired weirdness. But, with Kinds of Kindness,...

I’m not sure what more I can say about Bad Boys: Ride or Die, the fourth installment in the over-the-hill franchise, that I haven’t written in reviews of the previous films. Unsurprisingly, considering it has the same directors as the third Ba...

Beverly Hills Cop holds a retains a hallowed position in the pantheon of ‘80s blockbusters. It was the third of three films to catapult Eddie Murphy to movie stardom (the others being 1982’s 48 Hours and 1983’s Trading Places). At the time w...

The Fall Guy represents what a true “summer movie” should be: a light, fast-paced spectacle with likeable characters and a balance between action/eye candy and narrative elements. No one is going to call Drew Pearce’s screenplay a masterpiec...

Bonkers. That’s one way to describe the stylistic, chaotic splurge of blood, gore, and action that characterizes Mortiz Mohr’s feature debut, Boy Kills World. A comedy that leans heavily into the grand guignol before imbibing deeply from a pot...