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At the time of its October 1992 release, I wrote the following about the original Candyman (which was directed by Bernard Rose based on a story by Clive Barker): “Candyman is one of the most intelligent and chilling movies to grace the scree...

The Canyons opens with still photographs of crumbling, disused movie theaters - multiplexes that, as recently as a decade ago, might have been bustling sites of human congress on weekends and holidays. These images have little to do with the story ...

It's fair to say that superhero saturation has set in. Not many years ago, every cinematic version of a comic book protagonist's adventures was awaited with baited breath. Now, because of an unceasing and sometimes careless flood of such titles, ma...

Thus far, Pixar has given features and voices to bugs, toys, monsters, and fish, so why not cars? Although Cars is arguably the weakest animated feature to emerge from the virtual drawing board at this successful company, it's also the best animat...

Seen in Disney 3-D. It was bound to happen: a dud for Pixar. Making a sequel to 2006's Cars was always something of a head-scratcher. The original movie, while possessing a certain charm, was among the studio's least inspired efforts and the dea...

Whatever Will Ferrell may or may not be, one can never accuse him of lacking balls. The decision to release Casa de Mi Padre, Ferrell's latest starring vehicle, entirely in Spanish with subtitles, will be an acid test as to whether the actor's popu...

The only James Bond story for which Albert Broccoli never obtained the rights is Casino Royale. Those are held by Charles Feldman, who, following the success of Dr. No, From Russia with Love, and Goldfinger, decided that he wanted to make his ...

Catch and Release is a confused, disjointed motion picture that tries to be many things and succeeds in being none. In less than two hours (although it feels considerably longer), writer/director Susannah Grant cobbles together nearly every imagina...

Catch Me if You Can is the closest director Steven Spielberg has come to making a comedy since 1979, when his 1941 bombed at the box office. A jaunty caper movie inspired by real-life events, Catch Me if You Can never takes itself or its subjects ...

Without pussyfooting around, I can state that Catwoman is a catastrophe. An amalgamation of bad clichés purr-loined from other, better superhero movies (not that there are many - if any - that can be considered worse), this motion picture is an e...