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Joe Wright's interpretation of Ian McEwan's Atonement proves that, when it comes to literary adaptations, he understands what he's doing. Wright’s previous feature was Pride and Prejudice, a significantly happier production than this one (althoug...

It may be fair to consider Away We Go as Sam Mendes' penance for Revolutionary Road. The director's late-2008 Winslet/DiCaprio reunion was an immersion in bile - an acidic trip underneath the placid exterior of mid-20th century suburbia to a rot t...

At first glance, a movie about the adventures of a piglet who thinks he's a sheepdog doesn't appear to be the perfect entertainment recipe for those beyond puberty. However, through a mixture of imaginative storytelling, impressive animatronics, a...

The 1995 release, Babe, scored big with audiences and critics alike, proving that a movie doesn't have to be marked with Disney's imprimatur to succeed with families. During its theatrical run, the film made almost $70 million domestically, and we...

Edgar Wright’s Baby Driver seeks to inject a dose of high octane into a heist film while illustrating how it’s possible to make a car chase exciting in an era when few action staples have become more boring and predictable. The film also s...

The Bank Job is a heist movie in the classic tradition - it details every aspect of the caper, from its genesis to its aftermath. The fact that there's political intrigue and espionage swirling around the edges only makes it more fascinating. Dir...

Barbarians starts out as a tense psychological thriller unfolding against the tableau of a not-so-friendly dinner before morphing into something decidedly physical and creepy. Yet the home invasion that flips the movie at the halfway point doesn�...

For roughly one hour, Barbie is a delightful journey into a satirical world of pastels and fluorescents, where everything is awesome and pink rules. With its Lego Movie inspired approach to bridging the “real world” with that of dolls and toys...

Who would have imagined that the most appropriate word to describe Basic Instinct 2 would be "boring?" This plodding, pretentious follow-up to 1992's hit replaces Paul Verhoeven's lurid, over-the-top style with the leaden rhythms of Michael Caton-...