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Pulse is the latest Japanese horror film to receive an English-language remake. Not having seen the original, I can't make comparisons, but I can state that this is the worst translation within the genre to date, outdistancing such worthy contende...

"Something changed with this [quiz show scandal]. It really marked the end of a period of innocence in our social history. No longer did people believe that what you saw on television was the truth... It may sound peculiar to us today that a...

Race to Witch Mountain is the latest Disney "made for kids only" effort. It takes all the usual Disney hooks - cute children, a likeable protagonist, lame action and lamer jokes, some special effects, poker-faced bad guys, and an animal - and thro...

Although perhaps a little unkind, the best description I can think of for Racing Stripes is that it's a "Babe wannabe." The new film has many of the same qualities, but it isn't as fresh, as witty, or as affecting as the 1995 movie or its 1998 seq...

Before being dazzled by the high profile cast of Dwayne Johnson, Ryan Reynolds, and Gal Gadot, perhaps I should have looked a little more closely at the filmography of writer/director Rawson Marshall Thurber. The filmmaker has to his credit su...

Much as I might like to, I cannot heap praise upon director Gavin Hood's Rendition, a political thriller with aspirations of being so much more that it is. The film treads into the minefield of debate that exists surrounding the question of Constit...

It would be interesting to get a psychologist's perspective about why revenge/vigilante (two sides of the same coin) motion pictures are suddenly so popular. From The Brave One to Death Sentence to Before the Devil Knows You're Dead to Reservation ...

Sometimes just having a clever idea isn’t enough. Not nearly enough. Take Return to Horror High. If I was being generous, I’d admit there’s something in the premise that could make for an entertaining horror-comedy/parody with a blurring of ...

The Revenant, Alejandro Gonzalez Inarritu’s follow-up to his Oscar-winning Birdman, plays like a cross between Terrence Malick and Sam Peckinpah. As unlikely as such a conflation might seem, the result works - sometimes to stunning effect. In a...

Sign #1 that there might be something wrong with a film: its release date has been pushed back twice. Sign #2 that there might be something wrong with a film: the final release date is in January. With those two strikes against it, The Rhythm ...