ReelViews for PG-13 movies

Movies have always used the "from the makers of..." line. You know, "a new film from the makers of Lawrence of Arabia" or "a new film from the makers of Glory". Kingpin employs this time-honored tradition, except, in this case, it proudly cla...

When a movie is made based on a book that millions of people have read, the first question asked often pertains to the faithfulness of the resultant cinematic product to its written inspiration. In the case of The Kite Runner, director Marc Forste...

There are some books that shouldn't be made into movies. Many of them, actually. But the film industry is so desperate for content that such concerns are often ignored. Case in point: Klara and the Sun. The original novel, written by Kazuo Ishigur...

The action/comedy genre has grown in popularity over the past couple of decades, but it remains difficult for filmmakers to find a workable balance between the seemingly disparate elements of the recipe. Too much action often results in marginaliz...

There are reasons why Hollywood rarely backs a murder mystery.  With its various narrative complexities, double dealings, and mandatory twists, the genre is generally unsuited for the constrictions demanded by a two-hour timeslot. As the PBS ...

Knowing is a classic case of a movie that is crammed with interesting ideas but is unable to conceptualize them in a compelling fashion. Knowing doesn't fail because of a lack of ambition or scope but because of flaws in execution. The movie trie...

As a big-budget B-grade monster movie, Kong: Skull Island is a home run. It offers all the tropes and clichés one expects from this sort of endeavor, sparing no expense when it comes to special effects. As a King Kong movie, however, Skull Island is...

Kung Fu Hustle is an action/comedy designed with lovers of the '60s and '70s Shaw Brothers' movies in mind. It's an homage to a genre that, despite being regarded as campy by about 95% of the movie-going populace, has nevertheless captured the hea...

La La Land, Damien Chazelle’s much-anticipated follow-up to his stunning 2014 feature debut, Whiplash, illustrates the magic that can result when a director is fully committed to a vision. Chazelle doesn’t just want to tell a story (altho...

One has to wonder whether we are reaching the point of oversaturation with respect to bio-pics of famous singers. The landscape is dotted with them: Ray, Walk the Line, Control, I'm Not There, and so on. The field has become so crowded that Judd ...