ReelViews for PG-13 movies

Kudos to Sony for not holding advance screenings of Ultraviolet. This is the kind of crap you want to keep away from critics. Masochist that I am, I went to see this on my own dime, and regret every cent spent to gain admission to the theater. T...

For a while, The Unborn unfolds like a nice little PG-13 horror film should: a dash of atmosphere, a heroine who spends lots of time in her underwear, a general sense of enhanced creepiness, and an effective "boo!" moment or two. Then it commits a...

Angelina Jolie's sophomore effort as a director is a high-profile adaptation the true-life book Unbroken (written by Laura Hillenbrand, the author of Sea Biscuit). Those unaware that the film is based on historical events might understandably ass...

Tell me if you’ve heard this refrain before: The experience of playing a game is more rewarding than watching a movie adaptation. Sadly, this applies as much to Uncharted as to nearly every previous game-to-movie translation. Even Uncharted, tou...

It would be easy to get hung up on the illegal immigration issue when discussing Under the Same Moon. Indeed, the filmmakers don't make a secret of their feelings about it; they believe the current policy to be repressive and biased. However, the...

Underwater is all adrenaline and claustrophobia – a 95-minute non-stop excursion to the bottom of the sea where human beings are aliens and monstrous creatures haunt the depths. Director William Eubank (The Signal) understands that for a mov...

Robert Redford on a horse roaming the wide-open countryside of Wyoming - doesn't sound like much of a stretch, does it? What is unusual about Redford's participation in Lasse Hallström's An Unfinished Life is that the actor in as unkempt as he ha...

The temptation is to think this: Just what we need - another PG-13 remake of an Asian horror film. These come along so frequently that they have become more like punch lines to bad jokes than serious cinematic endeavors. Not so fast, though. The U...

A United Kingdom, Amma Asante’s chronicle of events that eventually led to the birth of The Republic of Botswana, serves three purposes: to provide a historical primer (somewhat fictionalized to make for more compelling cinema) of events in the Afr...

Yes, Unknown is preposterous. That in and of itself is not a reason to avoid the movie. The problems lie in the way the absurdity is presented and the manner in which the screenplay resolves once the "truth" is revealed. Alfred Hitchcock rarely me...