ReelViews for PG-13 movies

In a statement that borders on the obvious, this review is not being written for the legions of loyal fans who have made Stephanie Meyer's novel Twilight the most popular piece of young adult literature to come along since Harry Potter left Hogwart...

With the Twilight movies, you get out of them what you put into them. If you're a fan, this represents a delirious opportunity to see moments and characters from a favorite book come to life on the big screen. If you're indifferent to the hackney...

I'm of two minds about Breaking Dawn Part 2. Although it includes the most intense sequence in any of the movies, it also features an unforgivable example of motion picture bait-and-switch. It's deflating, a desperate attempt to make the finale of ...

Note: An argument can be made that this review contains spoilers for Eclipse. For those who have read the book, there is no spoilage. For those who have watched the trailer, there is no spoilage. For those who don't fit into either of those cate...

Note: An argument can be made that this review contains spoilers for New Moon. For those who have read the book, there is no spoilage. For those who have watched the trailer, there is no spoilage. For those who don't fit into either of those cat...

As movie-goers, we expect different things from big-budget summer blockbusters than we do from "normal" films. Considerations of theme and character become secondary to action and mind- numbing excitement. The plot is expected to be very basic...

From the outside looking in, I was dubious about how the filmmakers behind Twisters were going to handle a sequel-not-sequel to the 1996 blockbuster, Twister. With Bill Paxton dead and Helen Hunt not participating, there seemed to be no real p...

What can I write about Two Weeks Notice that I haven't written about every mediocre romantic comedy to come down Hollywood's pipeline? There's the cotton candy comparison – the movie is sweet (sometimes too sweet) and airy, with so little substa...

To me, the idea of a sequel to The Fugitive always seemed like a bad idea. True, Sam Girard (Tommy Lee Jones) was a more interesting character than Richard Kimball (Harrison Ford), but could he carry a movie on his own? Sadly, we'll never really ...

As a snapshot of the U.S. cultural scene during the late 1960s and early 1970s, The U.S. Versus John Lennon is a success. As an opportunity to hear some of Lennon's solo songs within a political context, the movie works. Unfortunately, as a piece...