ReelViews for PG-13 movies

14 years sounds just about right. That’s the amount of time it took between the release of Jurassic Park III, with its waning box office, and that of the resoundingly successful reboot, Jurassic World. The problem is that the third Jurassic Worl...

After watching a movie like Just Friends, I hurry home from the theater and take a shower so I can wash away the stink of the experience. There are bad movies and annoying movies, and this one contains elements of both. Spending 90 minutes with t...

The experience of sitting through Just Go with It, Adam Sandler's umpteenth comedy directed by good buddy Dennis Dugan, is akin to watching a bad sit-com that never ends. With some TV shows, commercial breaks provide welcome relief from the monoton...

With Just Like Heaven, director Mark Waters (Mean Girls) wants to have his cake and eat it to. That's not necessarily a bad thing, until you consider that the recipe used for this confection is missing a few ingredients and the final product is ha...

Just Mercy is the kind of high-minded tale about social injustice that often opens around this time of the year. Despite the whiff of “Oscar bait” surrounding the production, it’s a well-made, affecting tale about do-gooders who do good ...

With a title like Just My Luck, the urge to make puns is almost irresistible. However, in recognition of the fact that the film isn't that bad, I shall refrain from doing so. It's tough for me to determine how 13-year old girls will respond to ...

A word about spoilers in this review: For the most part, I have tried to avoid them. However, there is one development that I will openly reference. For many people, especially those who know about the behind-the-scenes details, this won’t b...

Karate Kid: Legends feels like glorified fan fiction. It has all the earmarks of something made by a fan primarily for fans. The overstuffed 94-minute feature aggressively strip-mines the previous five films (plus the series Cobra Kai) in an attem...

Keeping up with the Joneses (not to be confused with the better 2010 film The Joneses) is a paint-by-numbers, creatively bankrupt “comedy” emerging from a studio system that has largely forgotten what it means to be genuinely funny. Lazil...

I hope Jamie Kennedy has a huge fan base because I can't see anyone else paying hard-earned money to sit through this. Perhaps my expectations are too high, but when I go to see something billed as a "comedy," I don't expect to have to wait until ...