ReelViews for PG-13 movies

The Last Exorcism is one of those rare films where the marketing campaign is more interesting than the film it publicizes. The movie is clearly low-budget and, rather than spending big bucks in the traditional arenas, Lionsgate has elected to prom...

While it's impossible to assert that The Last Legion is entirely undone by budgetary constraints - bad scripting and odd casting choices play a part as well - it's a good bet that the movie could have been better had more money been spent on the pr...

A peek at the resumes of director Jon Turteltaub (The Sorcerer's Apprentice, National Treasure) and writer Dan Fogelman (Cars, Fred Claus) gives an indication that Last Vegas may not be headed for edgy, ground-breaking territory. Despite the presen...

If Vin Diesel is looking for a third franchise to add to his resume, The Last Witch Hunter might be considered a “safe” option. His character, Kaulder, an 800+ year old warrior for the forces of good, doesn’t require Diesel to step ...

The Lazarus Effect begins with an intriguing premise then proceeds to squander all the early goodwill through a slow, inexorable descent into cheap horror gimmicks. What begins as an intriguing blend of such diverse sources as Frankenstein, the 1990 ...

There's a rule in Hollywood: spring is for baseball films; fall is for football films. It's a time-honored tradition that makes sense when one considers the seasonal popularity of the sports, but Leatherheads flouts it. This is a football-themed ...

There's no "rule" determining that religion-oriented movies are necessarily poorly made. Indeed, there are examples aplenty of serious minded, reverent motion pictures that work not only for pious viewers but for those with a secular outlook. The ...

Legally Blonde fits into the niche occupied by motion pictures like Clueless, Dick, and Romy and Michelle's High School Reunion - that is to say, films in which an airhead heroine captures our affection and overcomes her vacuous disability to trium...

Legally Blonde 2 should never have been made. It is a cinematic abomination - a source of embarrassment for everyone involved. There have been worse films this year, but none has been marketed as this fun-loving and upbeat. Worthwhile moments ar...

In 2016, one wonders whether there’s a place in cinema for the 104-year old Tarzan. To make the character more relevant to a modern audience, screenwriters Adam Cozad and Craig Brewer, along with director David Yates (who helmed the final four ...