ReelViews for PG-13 movies

As written by Victor Hugo, the 19th century classic novel Les Miserables is a long, sprawling epic that encompasses everything from the political upheaval of post-Revolutionary France to the intimate orchestrations of the heart. Over the years, mi...

Les Miserables, believed by some to be the best novel ever penned in French, has been adapted in nearly every form imaginable, including dozens of movies, television mini-series in French and English, loose "thematic reworkings," and comic books. ...

While watching Liar Liar, it occurred to me that the chief problem with this film is that it has a script. If Jim Carrey had been unleashed without such silly, incidental constraints as plot and dialogue, who knows where things might have gone? A...

By 1989 and the release of Licence to Kill, James Bond had a lot of competition in the action genre. With so many higher-profile contenders (like Batman) in the arena, 007's popularity hit an all-time low. Audiences seemed less inclined to see th...

No matter how hard I try, I'm finding it difficult to write anything positive about License to Wed. This movie is bad from top to bottom, front to back, and start to finish. Many romantic comedies sacrifice humor in favor of romance; this one is...

The best thing that can be said about Life as We Know It is that it gets some of the details right when it comes to the experience of sharing a home with an infant. Still, all the poop, vomit, sleepless nights, and cute, joyous little moments can'...

Life of the Party is the third collaboration between actress Melissa McCarthy and her director husband, Ben Falcone. Next to this, Tammy and The Boss seem like Hamlet and King Lear. After suffering through the abomination named Identity Thief,...

The Light between Oceans is unquestionably a tear-jerker. As the film draws to its bittersweet conclusion, dry eyes will be few and far between. But, as manipulative as it is, the narrative also poses its share of intriguing philosophical questions. ...

Fear of the dark - few phobias are more common across the spectrum of modern society. Horror, in all its shapes, sizes, and forms, often works by exploiting this. It’s an underpinning of vampire stories and almost all horror films save their go...

Like Crazy is a love story, but not one of those pie in the sky/love conquers all romances. Instead, it's a little more down-to-earth. It eschews Hollywood formulas and seeks to turn a less rose-tinted lens upon the concerns of the protagonists. Al...