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I have done my best to avoid spoilers and, although I’d love to get into specifics about what’s wrong with the movie, such an approach would require revealing plot twists. So, although I won’t go that far, some of the “comparison” movies...

Face/Off, the third English-language feature from acclaimed Hong Kong director John Woo, isn't the best movie of the summer, but it certainly features some of the best action. Woo, who is known and appreciated for his unique stylistic approach to ...

I saw Gigli for much the same reason that a good portion of the movie's eventual audience will see it. Jen and Ben? No. Morbid curiosity? Yes. After all, it had become fashionable to rip Gigli. The advance word on this film was so vicious tha...

Few screen romances are as touching, as tragic, and as life affirming as the one shared by Nick (Robert Carlyle) and Karen (Juliet Aubrey) in director Michael Winterbottom's Go Now. While the film is ultimately about the effects of multiple sc...

When the invasion of Iraq transpired in 2003, assurances came down from on high that this act was necessary to remove the clear and present danger represented by Sadaam Hussein's weapons of mass destruction (this is when the acronym WMD entered the...

Hancock is a hodgepodge of intriguing ideas that, if developed further or presented as more than throw-ins to a confused production, might have made for a unique superhero film. The resulting movie, however, shows all the signs of studio interfere...

Happy Feet is a weird movie. No one can accuse director George Miller and his co-writers of playing it safe, but there are some genres - such as family-friendly animation - where adherence to conventions can be viewed as a positive trait. 75 minu...