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The Best Exotic Marigold Hotel is one of those pleasant, inoffensive British movies that offers a passably entertaining two hours without providing material that could be construed as edgy or stimulating. The problem may be that it's a little too p...

Candy is an Australian film that also offers a dose of familiarity. It's one of those drugs-are-hell movies that follows the time-tested path of watching two generally likable characters embark upon the road to self-destruction that results when re...

It is often said that America is a "melting pot." Judging by director Stephen Frears' unconventional portrait of life in London, the U.K. is just as much a bubbling cauldron as its former colonies. Since the 20th century, every major city acro...

With the tenacity of a bulldog, Spike Lee ruthlessly and sometimes recklessly defies mainstream expectations and courts controversy with every film he releases. Some find Lee to be a fresh and powerful voice in American cinema – a man who is una...

These days, everyone wants a multiverse movie – Marvel, DC, and now the guys who made Swiss Army Man. If nothing else, Everything Everywhere All at Once shows that it can be done without committing a nine-figure sum to the production budget. Tha...

I want to give actor-turned-director Liev Schreiber credit for making his behind-the-camera debut a film that means something to him. One can easily see how Everything Is Illuminated could be a deeply personal effort. Unfortunately, the meaning a...

As their careers develop, many comedians yearn to cross over into serious dramatic roles, if only on occasion. This has happened with John Cleese, Steve Martin, Robin Williams, Tom Hanks, Jim Carrey, and Adam Sandler. Some are more successful than...

Everything, Everything, based on Nicola Yoon’s YA novel of the same name, asks the age-old question of which is more important: quality of life or quantity of life? The filmmakers have an undisguised preference for the former or, as Baz Luh...

It's too bad the title The Good, the Bad, and the Ugly was already taken, because it would have been the perfect moniker for Fear and Loathing in Las Vegas, Terry Gilliam's adaptation of Hunter S. Thompson's book (emphasis on "the bad and the ugly"...