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Academics will argue about which of the Bronte sisters left the most important literary legacy. All three died young – Emily in 1848 at the age of 30, Anne (Agnes Grey, The Tenant of Wildfell Hall) in 1949 at the age of 28, and Charlotte (Jane E...

William Shakespeare. Charles Dickens. Jane Austen. Those three authors are perhaps the most frequently adapted writers of classic novels in the relatively short history of cinema. There’s a reason for that. The timeless nature of their outpu...

It's the romantic buried inside each of us that responds to movies like Emma. Sure, the film, like the Jane Austen novel upon which it is based, is laced with wit and sophistication. And, although it contains enough social commentary and char...

When reviewing The Emoji Movie, “poop” is definitely appropriate. Or a frowny face. Or both.Oh, I suppose it’s not as bad as all that. After all, if one considers that this was made with the 7-10-year old group in mind, it passes muster....

Many times, it is possible to make a snap determination about a movie based on its trailer. Happily, in the case of The Emperor's New Groove, any such judgment is likely to be in error. That's because the trailer makes the movie seem like one of ...

In recent years, the two animation studios working under the Disney umbrella have been making a concerted attempt to shake free of their reputation as a White Princess Factory. The result: a pipeline of features populated with diverse casts – Coc...

Once upon a time, Disney was the king of animation. Today, in the realm of CGI and 3D, they remain at the top only by virtue of a partnership with Pixar. Hand-drawn animation - the kind responsible for many of Disney's most beloved classics - is ...

Watching Enchanted April, the story of four dissimilar women in post-World War One England going on a holiday to a secluded castle in Italy, is the next best thing to taking a vacation. It casts a warm, relaxed spell that evokes feelings guarantee...

Wim Wenders' The End of Violence offers the same type of experience one could expect from sitting through a David Lynch film with a reasonably-coherent narrative (unlike, for example, Lost Highway). Arguably Wenders' most disjointed film to date, ...

The problem with End of Watch, a gripping police drama, is director David Ayer's stylistic decision to shoot nearly the entire movie tripod-less. Or, to put it another way, there's a whole lotta shakin' going on. Much of End of Watch could almost f...