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Perhaps the thing that makes The Menu so delicious is the taste that accompanies watching the ultra-rich get trussed up and stuffed like Thanksgiving turkeys. A dark satire that skewers privilege and eviscerates the famous, the wealthy, and profes...

You know the old saying about putting lipstick on a pig? Well, that's pretty much what's happening with Timur Bekmambetov's Mercy, a tedious and preposterous whodunnit. It is so poorly scripted and negligently paced that the distributor (Amazon MG...

The Merry Gentleman, which represents the feature directorial debut of actor Michael Keaton, is a meditation on loneliness and about the things we do to fill up those big, empty gaps in life. Anchoring the film, which is driven more by characters ...

For anyone who wept hopelessly at the tragic romance of The English Patient, Message in a Bottle is the movie you have been waiting for. In addition to being a beautifully-photographed motion picture with a solid (albeit melodramatic) storyline an...

I define a "boo!" moment as an instant in a movie when there is a loud sound, usually accompanied by a musical stinger and occasionally in concert with the fast pass of an unidentifiable object across a portion of the camera's field of view. The i...

After the misstep of Mistress America, The Meyerowitz Stories (full name: The Meyerowitz Stories (New and Selected)) represents a “return to form” for writer/director Noah Baumbach. Less pretentious and self-indulgent than some of his mumb...

The two best words to describe the 2006 motion picture Miami Vice are "stylish" and "intense." One of those descriptors without the other could lead one to suspect a pretentious bore or a pointless exercise in action but, by pairing them, writer/d...

Undeterred by the universally hostile reaction to her previous holiday picture, Mixed Nuts, director Nora Ephron (Sleepless in Seattle) is back at it again this year with Michael, the second angel-comes-to-Earth feature of the month. While this ma...

The sole reason for Michael to exist—and the only legitimate way in which the movie can be enjoyed—is as a cocktail of nostalgia and musical appreciation. This truncated hagiography bends its knee to the myth of Jackson before tabloid headline...

When it comes to motion pictures, there are essentially two kinds of thrillers: visceral thrillers, which rely on action to generate tension and excitement, and intellectual thrillers, which burn more slowly but are often more satisfying in the end...