Search for 2007

The Mist is what a horror film should be - dark, tense, and punctuated by just enough gore to keep the viewer's flinch reflex intact. In fact, that movie's ending is so uncompromising that one must assume director Frank Darabont had final cut so t...

For whatever reason, the character of Mr. Bean has never caught on in the United States. Rowan Atkinson's most popular creation has a small following in this country, but labeling him as an "acquired taste" would be an accurate descriptor. Unfort...

Mr. Brooks is a curious mix of the campy and the intelligent, of high concept and low psychology. In spite of these contradictions, or perhaps because of them, it works. This is a tense and engaging thriller, the kind of movie where the audience m...

There's something a little annoying about a movie that tries this shamelessly to be endearing and family friendly. Typically, these kinds of films feature Santa Claus in a significant role. Here, there is no Santa but there is a 243-year old guy ...

One would be justified in approaching Music and Lyrics with a certain amount of skepticism, considering that its writer/director, Marc Lawrence, is perhaps known for foisting two Miss Congenialitys upon the world (although to be fair, he didn't dir...

Nancy Drew is an effective translation of the source material, but that's not necessarily a good thing. The popular written series has been a staple for young female readers since the first books were published in the 1930s, and the movie will pro...

Tone is the most noteworthy aspect of Shari Springer Berman and Robert Pulcini's The Nanny Diaries. In adapting the best-selling 2002 novel by Emma McLaughlin and Nicola Kraus, the husband-and-wife team behind American Splendor have tried to keep ...

How to review a movie that's essentially a copy of its predecessor? The temptation is to simply copy what I wrote about the first National Treasure into this space with a few minor edits to account for name and location changes. Everything from t...

Next represents Nicolas Cage's second superhero movie in the space of two months. However, where Ghost Rider was based on a comic book, Next takes its inspiration from a Philip K. Dick story. The result is not unlike what we have come to expect o...

Expecting normalcy from a Coen Brothers production is a pointless endeavor, but anticipating brilliance isn't outlandish. Their latest feature, which has about zero box office potential, provides plenty of the latter and a little of the former. It�...