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As a snapshot of 20th century history, Golda does its job. As something more eloquent and important, the film falls short of its goal. Although the title makes it sound like a bio-pic, Golda is actually a fictionalized reconstruction of one of the...

There are times when casting really does matter and A Good Person is an excellent example. Made with two lesser leads, this might have been no better than a Hallmark TV movie about addiction, recovery, and renewal. However, the participation of Fl...

Gran Turismo is so desperate to get viewers to believe that it starts out with one of the greatest clichés of sports movies: Based on a true story. Of course, the words “based on” allow for a lot of liberties to be taken and, in the case of t...

Marvel’s post-Thanos struggles continue, this time in a movie that features two of the Mad Titan’s daughters. Although the malaise that has afflicted many of the recent MCU releases – from the unheralded Eternals to the much-hyped Doctor Str...

The Covenant offers Guy Ritchie an opportunity to step out of his comfort zone and try something with more substance than is usual for him. Gone are the snarky one-liners and zingers that have become his trademarks. And, although there’s certain...

Back in the early 2000s, Walt Disney Pictures, operating from the motive of strip-mining every conceivable asset in the quest for cash, decided to make movies based on its two most recognizable theme park rides: “The Pirates of the Caribbean” ...

For his third Hercule Poirot movie, actor/director Kenneth Branagh has moved away from Dame Agatha Christie’s highest-profile novels to something a little more obscure – a 1969 book called Hallowe’en Party. Screenwriter Michael Green, who re...

Few working directors display the versatility of Richard Linklater. Equally comfortable making high-concept art films, experimental outings designed for mass consumption, and multiplex-friendly fare, Linklater has brought to the screen projects as...

At the heart of The Holdovers lies a cliché – something about life-lessons imparted and accepted from a mismatched companion – but the manner in which director Alexander Payne and writer David Hemingson approach this familiar trope imbues it ...

It has been eight years since director Francis Lawrence released Mockingjay Part 2, the second half of the bifurcated film that wrapped up Suzanne Collins’ Hunger Games trilogy. Although the fourth movie in that series was the weakest entry, Law...