Movies starring Pat

Cookie's Fortune deserves to be appreciated on its own terms. A less-ambitious outing from veteran director Robert Altman (at least when compared to movies like Nashville, The Player, and Short Cuts), this movie delivers agreeable performances and...

Sometimes, even a little gratuitous nudity can't save a movie. This is one of those occasions. Cosmopolis easily trumps To Rome with Love as the biggest disappointment of 2012 from an established director. How can characters talk for so long an...

The Crow is a gothic nightmare. With a view of Detroit that is every bit as bleak and dazzling as the urban panoramas presented in Batman and Blade Runner, this film makes it clear from the outset that wherever its flaws may lie, they will not be ...

There was a time when James Wan’s association with a film meant something. Wan built his horror credibility with the likes of Saw, Insidious, and The Conjuring. The last of those gave birth to a brand name (dubbed “the Conjuring universe�...

Renny Harlin, whose previous directorial efforts include Die Hard 2 and Cliffhanger, seems fond of big, explosive action pictures. Unfortunately, excepting his debut (the middle film in the Die Hard trilogy), plot coherency hasn't been a particula...

Call it The Golden Compass rule: No multi-part movie series should be started without a reasonable certainty that the story will be told in full. And, although The Golden Compass’ planned sequels were the first recent films to fall afoul of t...

Pity poor Eliza (Hope Davis). On the surface, her family seems normal. She lives with her husband, Luis (Stanley Tucci), in a nice, Long Island home only a short distance from her parents' house. Under that roof are her mom, Rita (Anne Meara), ...

It has been one of the hottest tickets everywhere in North America where it has been shown. Now, placed in a limited number of U.S. theaters despite the near-solidarity of a chain multiplex ban, the movie is opening less than two weeks before Elec...

Wedding the phrase "Jerry Bruckheimer production" with the words "intelligent screenplay" might seem to be an unimaginable mismatch, but it has happened. Déjà Vu, the new thriller from Bruckheimer and director Tony Scott, impresses with both the...

The Descendants may be director Alexander Payne's finest outing to date. The man who began his career behind the camera with withering satires (Citizen Ruth, Election) has moved into dramatic comedies (About Schmidt, Sideways) that simultaneously ...