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Director Sarah Gavron and writer Abi Morgan deserve props for bringing to the screen the oft-neglected story of women's suffrage in the U.K. as well as illustrating what life was like during a time prior to the advent of women's rights. Suffr...

In recent years, "science fiction" has become synonymous with titles like Star Wars, Star Trek, and Battlestar Galactica. And, while there's nothing wrong with these movies and TV shows (in fact, they're predominately entertaining), they should be...

In 1987, Superman returned to the big screen after a four-year absence. The fanfare was more muted than it had been for any of the previous three entries into the franchise, including the critically lambasted and fan-unfriendly Superman III, which...

The Switch made me want to gnash my teeth in frustration. Nested within the restrictive confines of a middling romantic comedy is a secondary plot of some immediacy and power. It results in several moving scenes and allows Jason Bateman's acting ...

You may have to look long and hard to find a 2005 movie with as cynical an outlook on global politics as Syriana. Sadly, this is a situation when the cynicism is understandable. In addition to painting a bleak picture, Syriana makes no concessions...

It's Dangerous Minds with dancing. That's the sinking feeling I got while watching Take the Lead, one of the year's most uninspired inspirational stories. Culled from the real-life experiences of Pierre Dulaine (Banderas), Take the Lead warps and...

Talladega Nights (subtitled, The Ballad of Ricky Bobby) is, in many ways, just like every other Will Ferrell comedy: take some satire, add some hit-and-miss jokes, throw in a lightweight storyline, and let the lead actor be the catalyst that crysta...

You know what they say about "too much of a good thing?" That applies to They Will Kill You, the English-language debut of Russian filmmaker Kirill Sokolov, whose hyperkinetic approach to killing Satanic cultists is initially funny, bracing, and t...

Thieves is André Téchiné's followup to his unexpectedly successful 1995 art-house entry, Wild Reeds. In fact, Téchiné drew so much interest for his installment of the French TV series, All the Boys and Girls of the World, that Filmopolis Pict...

I’m tempted to call Together Together a romantic comedy because it has some of the rhythms one commonly associates with the genre. However, that would be mislabeling Nikole Beckwith’s sophomore film. Although there is love and affection in...